Digital Background – Digital Photography

Gardens and flowers may be beautiful subjects but they are not without their difficulties, especially when you move in close. Photography at this end of the spectrum normally produces more failures than successes so here are some tips to improve your nature photography.

At some you should also consider pursuing a photography course online that would guide you step by step through the technical aspects of close-up photography. There many ways to approach this fascinating area of photography and many choices to make with camera equipment.

The useful thing about choosing a garden as subject material is that your photograph is always very close by. You can start in your own backyard. Particularly with close-up photography, as you can spend hours in a square yard and not exhaust the possibilities. When photographing flowers or groups of flowers keep the background simple, this helps to emphasize the subject. Isolate the subject against a single color or place a colored card behind the flower. This works well with close-ups as a deck of colored cards can be very small and not a burden to carry.

Hazy sunshine is well suited for photographing gardens in color; this provides a generous, soft shadowless light. However, break the rule and photograph under any condition, they will all yield different and exciting results.

Use a tripod and a fast shutter speed when taking close-ups, even the slightest breeze or movement can ruin the photograph. This is the single most difficult problem to manage with close-up photography. Again however, put the tripod aside and use movement /soft focus and blur to your advantage. This can provide a more emotional photograph as opposed to clinical. A respectable photography course online would provide the necessary camera function aspects of introducing freeze and blur into your images.

To exaggerate color, use a shallow depth-of-field to separate the subject from the background. This should be quite simple to achieve as depth is very limited in close-up by the very nature of this area in photography.

Spray your subject with water to give a fresh rain or dew drop appearance. Carry a spray bottle with a fine mist nozzle at all times. This can be very effective at setting a mood and water adds a sparkle to the photograph.

If the weather outside is too horrible to venture into, bring flowers into the studio for still life subjects and gain total control. A single bloom can make a wonderful color or black and white graphic photograph.

In addition to flowers, there is an infinite range of subject material in the garden. Grasses, weeds, wild flowers, leaves, seeds, insects, spider webs, and the list goes on and on. Next time you are looking for something to photograph, look more closely in your own back yard.

By choosing a dependable photography course online you can learn these techniques and gain valuable insight for best possible results with close-up photography and nature.

Roo du Jardin is a photographer who runs an informational website about photography courses online. Read some more photography tips, techniques and resources at Online Photography Courses blog.

Interested in expanding your camera kit with an extra lens or two? Not sure about lens design and terminology associated with SLR lenses? Here is some information that may help in making that important decision. Good lenses are expensive and you need to get the optimum value for your purchase.

Types of Lenses

There are many types of lenses on the market today, too many to cover in detail here, but here are the most common types you will come across in your pursuit.

Prime or Zoom?

The first consideration is to decide whether you want a zoom lens or a prime lens. A zoom lens has variable focal length so it can function as several lenses in one package. A prime lens is fixed in focal length, so it is restricted to photography that is related to its size.

Photographers will still argue that a prime lens is always going to achieve a better result than a zoom. This is an optically sound argument; however, there have been some serious advances in optical technology over the past decades and the difference is now minimal.

Normal Lens

This lens is a prime and has a fixed focal length of 50 or 55mm. It is called a normal or standard lens as it provides a result the same as our normal viewing perspective. It is considered to be an all purpose lens and usually the first choice if purchasing a prime.

Zoom Lens

A zoom lens covers a variable focal length, the most popular being the 35 to 70mm zoom. This lens will give the same coverage as several prime lenses over this range.

Telephoto Lens

A telephoto is any prime lens with a focal length longer than 50mm. Lenses greater than 300mm are called super telephotos; these are generally in the 300, 500 and 1,000mm range. The greater the telephoto focal range, the greater the price tag.

Mirror Lens

A mirror lens is a telephoto lens but uses a combination of lenses and mirrors to achieve its telephoto capability. The main difference between conventional telephotos is its size, generally a lot shorter. This is great for handling and a cheaper alternative. The downside is it has a fixed aperture and provides less resolution.

Shift Lens

This lens is also known as a perspective correction lens, and has a rising and falling front panel that corrects perspective distortion and converging lines. These are mostly used in architectural photography.

Soft Focus Lens

These lenses are designed for different formats, are not that common and so are very expensive. The lens provides varying degrees of softness and is mainly used in fashion and portrait photography.

Macro Lens

Macro lenses are generally prime lenses and come in various focal lengths (not to be confused with the macro setting that most lenses come with). Macro lenses are for the serious macro photography as they are very expensive. Macro lenses are for extreme close-ups at a ratio of 1:1, 2:1 or larger.

Teleconverters

These lenses provide a cheap and simple way to extend the range of focal lengths without having to buy more lenses. These are fitted between the lens mount and the lens and increase the magnifying power of the original lens. A typical ratio is 2x and 3x converting a 50mm lens to 100mm and 150mm lens respectively.

These are a few ways to increase the capabilities of your camera that enables you to explore a greater variety of photographic subjects. Some are expensive, but others such as described here are not. There are some cheap alternatives available to help you take a further step in your photography.

Roo du Jardin is a photographer who runs an informational website about Online Photography Courses. Read some more tips, techniques and resources at Online Photography Courses blog.